Had plenty of coffee? Money ok? Spouse love you? Dog obeys? Reeds in tune? Honey, you need some _real_ trouble in your life! Evil Exercises for your pyping displeasure. Should be done on both practice-chanter *and* full pipes. Bands -- exercises are terrific for early warmup. Play pipe chanters only, don't sweat the tuning, let the moisture stabilize the reeds while everyone's minds are focusing on this hideous torture. Some of these combinations are not actually done in real pipe music. Do them anyways, they build important finger strength & character. Mwa-ha-ha-ha-haaaaaa! Scale in 2's gb ac bd ce df eG fA A Af Ge fd ec db ca bg a Timing permutations: 1/8 - 1/8; 1/4 - 1/8; 1/8 - 1/4; dot-cut; cut-dot ie, even notes, soft dots & cuts, hard dots & cuts All tempos & tune types from air to reel/jig. Single Gracenote Finger-strengthening Permutations Proceed as far up as possible using single gracenote before 1st melody note of each pair. Variously: High G, D, E, thumb, and (no kidding) F gracenotes. Don't laugh, your crunluaths & double E's will thank you. The Crossings - Contains every evil crossing known to Pyperdom. Copyright 1979 David Daye. ac ad bc bd be bf bG bA ce cf cG cA de df dG dA eA fA GA A AG Af Ae Ad Ac Ab Gd Gc Gb fd fc fb ed ec eb db da cb ca a Same timing & tempo permutations as scale-in-2's. No gracenotes, please: you need to experience all the lovely crossing noises! TortureLuaths Copyright 1979 David Daye. Normal taorluath scale EXCEPT taorluaths end on *B* not low A. Do again ending taorluaths on low G, C and even D. Yes I know this doesn't happen in real music. Do them anyways. You will learn to yawn in the face of judges. UltraLuaths Copyright 1979 David Daye. Normal taorluath-to-low-A scale EXCEPT all taorluaths are made with the *B* finger instead of the *D* finger. You know why. Do these ending the taorluaths variously on low G, A, B, C & D. Trouble - E's Copyright 1979 David Daye. Dotted 1/8 (variously, each note of the scale), always followed by a 1/16 F into double E. Birl Pearls Dotted 1/8 (variously, each note of the scale), always followed by a 1/16 low G into birl. Oh, as you see I'm asking for credit for some of these things, with the year I concocted them. If you know someone who produced any of them earlier, let me know, I will most humbly bow to precedent! I hope these gems bring you as much frustration as they've brought me and my students over the years! -- David Daye http://www-bprc.mps.ohio-state.edu/~bdaye/bagpipes.htm Highland & uilleann pipes Pipe & reed modification diagrams, sound files of Columbus Ohio USA GHB-A440, UP trad & silly, beginner finger tricks,